Rhythm first, theory second. A jazz teacher speaks about practicing.

Jazz is primarily about rhythm and articulations, those tricky bits that are impossible to notate. Harmony is like math, fun for many and much easier to get your head around for most. Or so beginners believe. But when the moment of truth arrives at a jam session theory goes mostly out the window and instinct kicks in. Adam Maness explores this theme in his video "Why do I still suck". 

Jorge Mabarak, on Facebook, puts it well, theory is a tool. I propose that rhythm is the key. And ear training is the secret to unlocking the mystery.

Here is a practice time breakdown that may work for you:

• Fifty percent time spent improving your instrumental skills. Find a skilled teacher. Put in the work. To paraphrase Wynton, "learn to play your d#%$@# instrument".
• Twenty-five percent time working on ear training: transcriptions and memorizing tunes. How many tunes can you play from memory? Ten would be a good start and realistic goal for most jazz beginners. Can you sing the melodies of the tunes you are trying to memorize? Can you sing the chord roots, in time and in pitch, of these tunes? Can you sing the arpeggiated 7th chords found in these tunes?
• Twenty percent jamming with a least one other musician. This is a key component of learning jazz. Jazz is a team sport. For instance, if you are a pianist, call a jazz guitar teacher, they have students who need to jam with others too. Set up a session. Don't be shy. As Adam Maness emphasizes "time for jazz swagger".
• Five percent jazz theory

 
If I can help, please call me. 

David