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Tips, free lessons, and inspiration

Seven steps for learning a new piece of piano music.

3/9/2023

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Seven steps to learning a new piece of piano music.
 
  1. Translate all the musical terms and write them in your score. These Italian terms tell you how to play the piece. They indicate tempo, mood, and attitude.
  2. Locate three professional YouTube recordings of your new work. Play them in turn; make notes on how each musician interprets the score and musical terms from step one. If you can see their hands, notice the gestures they use to interpret the score. (I write what I hear and see in my scores.)
  3. Using a slow metronome tempo, clap and count aloud the rhythm of each hand.
  4. What you will do next depends on the complexity of the score and your piano skills. If the music is complex, write in the fingering, measure by measure, hand by hand. Experiment and carefully consider your choices. The editor’s markings are often a good place to start. You just fill in the missing finger numbers. This will accomplish two things. One, you will be practicing slowly and consciously, hand by hand, chunk by chunk. Two, you will have time to play musically from the start because you will have time to consider the dynamics or articulations. Concurrently with the writing in the fingerings, consider the gestures needed to interpret the music. These might include fingers, rotation, drop, two note slurs, and other motions. If you are unclear about which gestures to use, call me. I will show you how, with the proper gestures, the composer's intentions are easier to realize.
  5. After the initial consideration you gave to the fingering, dynamics, and articulations you are now ready to play with steadier time. Continue to count aloud, with a metronome, if you are having trouble with the rhythm. Don’t hesitate to work on your hands separately.
  6. Repeat step two.
  7. You now have a secure foundation to begin practicing in earnest. You have an artistic impression of the work, you’ve worked out the fingering, dynamics, articulations, and necessary hand gestures to interpret the music.

​If I can help you further, call me.
 
David
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Listening is pracitcing

2/14/2023

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Coming up on March 4, 2023, I will be performing with the Toronto Concert Band as a pianist and percussionist. I practice every day in preparation for, and anticipation of, an exciting evening of music making.  The piano part of Cait Nishimua's "Pukaskwa" is challenging. The piano part enters after a tricky rest. My confidence needs a boost. So, I've transcribed the melody that plays in the rest, which, I hope, will make my entrance stronger. 

I'll let you know how it turns out.
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How to spend an hour practicing for your Royal Conservatory of Music exam. Part 2

2/7/2023

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Listening (5 minutes) Listen to professional recordings of the piece(s) you will be practicing today and then play your "party piece" or your "goto" piece. 
Warm-up (10 minutes) Play your assigned scales, arpeggios, and technical exercises. Multiple repetitions are recommended. 
Repertoire (20 minutes) Play your piece(s) focusing on sound quality, phrasing, dynamics, and rhythm. I suggest working on small chunks Later, when you are close to the exam, you should run your program, without stopping, to build endurance. 
Sightreading (5 minutes)
Theory (10 minutes)
Ear Training (5 minutes) Review the requirements of the grade.
Conclusion (5 minutes) Review an old favorite

If I can help you, call me. 

David


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PIano Practice Guide ChatGPT

2/3/2023

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Piano Practice Guide


What should I practice to learn piano?

Here are some suggestions to help you learn piano:
  1. Scales and Chords: Practice playing scales and chords regularly to build finger strength and dexterity.
  2. Sheet Music: Start by learning to read sheet music and playing simple pieces. As you progress, gradually increase the difficulty of the pieces you play.
  3. Theory: Study music theory to understand how different elements of music work together, such as harmony, melody, and rhythm.
  4. Ear Training: Develop your ear by listening to music and trying to play what you hear by ear.
  5. Repetition: Consistent practice is key to mastering any skill. Try to practice every day for at least 30 minutes.
  6. Posture: Make sure to maintain proper posture while playing the piano to avoid strain and injury.
  7. Find a teacher or mentor: Consider finding a local teacher or mentor to guide you and provide feedback on your playing.
  8. Remember, learning an instrument takes time and patience. Stay motivated and enjoy the journey!

Once again good specific advice. 

David

What should a Royal Conservatory of Music piano student practice each week? Please answer in rhyming couplets.

A Royal Conservatory student, practicing piano,
Should aim for consistency, not just a one-time show.

First, warm up those fingers with scales and arpeggios,
Then move on to pieces, to let the music flow.

Technical studies like Hanon or Czerny,
Can help to build dexterity and avoid any injury.

Sight-reading and ear training, don't forget to include,
These skills are crucial and can't be misconstrued.

Challenging repertoire, should be in the mix,
To push your abilities, and you're playing to fix.

Lastly, review and refine, what you've learned so far,
Take your time, be patient, it will take you far.

So Royal Conservatory piano student, keep in mind,
Practice regularly, and you'll see yourself shine.

I may lose my mind. 

David
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A successful student's profile 2022

9/2/2022

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​Here is one profile of a successful student who thrives on boundaries, discipline, and competition.

Mei diligently practices the following activities:
  • She listens daily to professional recordings of her pieces. She knows every part by heart!
  • She diligently prioritizes her time so that she can practice her etudes, repertoire, theory, sight-reading, ear training, and technique.
  • She uses the metronome when sight-reading and practicing her technique. She has learned to count aloud and play at the same time.
  • She records herself regularly for quick feedback.
  • She participates in recitals, competitions, and piano exams. Her friends do the same. In fact, she has made many of those friends at the competitions.
  • She explores topics related to her studies on YouTube searching for alternative perspectives.
  • She attends piano concerts.
  • She has a favorite YouTube piano influencer.

​If I can help your Mei; please give me a call.

​David
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The Secret Behind Rufus Reid's Beautiful Bass Tone: Practice Tips

7/26/2022

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     I recently attended the Louisville Jazz Workshop at the University of Louisville in Louisville in Kentucky. The legendary bassist Rufus Reid gave a stunning solo recital. His playing was exciting, imaginative, dynamic, and colourful. Later that day he shared his practice tips with the audience of jazz students. He stressed that no matter how long our practice session might be students need to include the following:

• Technique. Practice the basics and get on top of your instrument. Make sure you can keep the beat, the count, and the groove. 
• Style. Practice producing a “good sound”. Play your instrument in "a nice way". Be creative with your approach. 
• Repertoire. Learn the jazz standards by heart. Listen to the jazz canon, and then play along with these recordings.
• Patience. He stressed being reasonable with yourself by not pushing past your actual ability. It takes time to learn to play both your instrument and the jazz idiom well. 
 
Thank you to Frank for the note outline.

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Eight pillars of piano accomplishment 2022 version

7/11/2022

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Piano students often ask me, “what should I focus on in my practice sessions?” Here is my reply.

Pieces, etudes, theory, sightreading, ear training, history, technique, ensemble skills

  • Pieces includes the music assigned in class and a review of your favorite works.
  • Etudes will address specific aspects of your playing like dynamics, articulations, and balance.
  • Theory skills include the study of key signatures, time signatures, terms, and rhythm. This helps you see and understand the patterns in musical scores. This is a real aid in sightreading. Furthermore, theoretical knowledge allows you to communicate effectively, using the proper vocabulary, with other musicians. 
  • Sightreading skills so that you can quickly learn new music. 
  • Ear Training so that your ability to make sense of what you hear advances.  
  • History includes knowing the broad historical, theoretical, and stylistic outlines of the music you are studying and your instrument's place in it. 
  • Playing music with others is a wonderful way to practice.  And it is fun too.
  • Scales, chords, and arpeggios train our fingers to execute, from memory the building blocks of music, and also give us a chance to practice playing beautifully. 
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Why do we practice slow to go fast?

5/26/2022

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Why do we practice slow to go fast?

We all play like we practice. If we practice carefully, thoughtfully, and methodically our odds of playing expressively, confidently, and at a steady tempo go up significantly. 

Let's consider one aspect of this: Slow practice.

1. Slow allows us to consider our motions at the piano.
2. Slow allows us to play steadier while learning. Remember playing quickly and stumbling about may make our stumbling get embedded in our playing. 
3. Speeding up bit by bit, as our skills increase, the scales, chords, arpeggios, etudes, and pieces is a good strategy. 
4. To play fast eventually we will have to practice fast. It is good practice to have our musical moves together before sprinting through the music. 

David
revised August 2022
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Sightreading Tips for Pianists

5/24/2022

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Sight-reading tips
  1. Title. The title will often give you clues as to how to play the piece.
  2. Who is the Composer? Bach is played differently than Zappa.
  3. When was the piece written? Baroque music is played differently than Rock.
  4. Time signature?
  5. Key signature?
  6. Tempo: fast or slow?
  7. Dynamics: loud or soft? When playing with others this is especially important. 
  8. Look for funny business like clefs changes, hand over hand crossovers, 8vas, tempo changes. Don't get caught!
  9. Find the repeat signs, del signo sign, and Coda sign.
  10. Search for similar phrases/measures.
  11. Look for rhythmic difficulties. If necessary, clap and count aloud. 
  12. Find the starting hand position. 
  13. Using the metronome will help prevent you from stopping and correcting.

Short story

As a teenager I had the worst practicing habits. I had no focus or commitment to any task except s
ightreading, which was fun and easy. I loved spending hours reading my mother's piano books, so it is no coincidence that I've spent the last 45 years making a living as a sight-reader. First as a professional pianist and later as a teacher. Eventually though, I did get my practice habits straightened out and the rest is history. 

David

Revised August 2022
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Rick's Study Plan May 2022

5/14/2022

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This is what Rick is working on.

Rick’s memorized list of tunes with study links.
  1. Autumn leaves
  2. Saints https://youtu.be/L8ydGKtLRJw in F https://youtu.be/wyLjbMBpGDA In G 
  3. C jam blues https://youtu.be/16UIKglJ56w in C try 1st 12 measures
  4. Blue bossa https://youtu.be/EUxv3AAaK_Y 

Steps to soloing fluency.
  1. Memorize the left-hand chords for each piece above.
  2. Play the melodies by ear with the recordings.
  3. Learn a 3-5 note lick by ear from one of the recordings and then transpose it into 12 keys.  
  4. Sing the roots of the chord progressions in time and in pitch. First at the piano, then with the recordings. (This will help Rick to stay in place and not get lost when playing with others. And importantly it will help him to memorize the music.)

Revised August 2022
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Fingering patterns for triads

5/10/2022

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Playing the piano is much easier when the scales and chords have become automatic in our hands. Below is the fingering chart for all 3 note chords like C major and G minor. Another name for a 3-note chord is a "triad". I've cropped this image from a student's notes.

If I can help you, call me.

David
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When the going gets tough

4/26/2022

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Some days and weeks are going to be difficult. Life will get in the way. Here are some suggestions I gave one adult beginner to help relieve his practice room blues. 

  1. Start on a high note by playing pieces you know. Reviewing old favorites is good for the soul.
  2. Next play your assigned scales five times each.
  3. Review your assigned chords five times each.
  4. Mess around on your DAW.
  5. Work on 4 measures of your new piece. Clap the rhythm while counting aloud, then play hands separately, then hands together. Record yourself, listen back. Repeat as needed. Stick with it until the short section of music is completed and secure. Remember to start slowly.
  6. Finish with a favorite piece. 

If I can help you, call me. 

David

Revised August 2022

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How to spend one hour practicing the piano.

4/21/2022

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One of my adult students was asking tonight for some help planning his practice time. He is preparing for his Grade 8 piano exam. He is an engineer, a spreadsheet kind of guy. I'm sympathetic. Here is what we discussed. 
 
Warmup with sight reading. Use a metronome! Get into the zone.
 
Now start practicing
 
Technique with a 2-minute timer. Switch activities every 2 minutes = 15 minutes
  • 1 scale
  • 1 tonic chord played solid and broken
  • V7 chord solid and broken
  • I and V7 arpeggio

Practice one short section to perfection =15 minutes

Theory =10 minutes

Ear Training = 10 minutes

Review completed piece or pieces 10 minutes 

BOOM! one hour of accomplishment

This may work for you. 
​
David

Revised August 2022
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Learning to love how we sound

2/22/2022

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In the 1921 teaching manual “Principles of Pianoforte Practice” by James Friskin, he asserts that most students “simply do not hear all the sounds they produce”. I concur. I'm sure Friskin would be amazed at the ease with which a student can now record their practicing for self-evaluation. 

Now the hard part, learning to love how we sound. I'll be honest, in the early days it will take a certain amount of fortitude. But push on in faith. You will be the first to hear the improvement and progress as you accumulate and listen to hundreds, even thousands of practice recordings. (In 13 years of playing drums I’ve 248 Gigs of mp3 recordings. It’s both humbling and gratifying to hear how one sounded a decade earlier, or even last year.)

If I can help you learn to practice effectively, call me.
​
David
Revised August 2022
Read the 1921 book here.
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Quick Tip; Video Recording

1/14/2022

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I found it extremely helpful over the holidays to practice with a video camera recording my progress or lack thereof. I played for 5 minutes and watched for 5 minutes. The camera was positioned so that the keyboard of the xylophone was visible. I was able to see and hear what was working and what was not and then adjust my next repetition accordingly. Video helped me to close the gap between how I thought I sounded and how I actually sounded. 

If I can help you, call me. 

​David
Revised August 2022
The above is the final take in ten takes over 20 minutes. 
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​Internationally recognized jazz teacher Jamey Aebersold has insights to share

11/5/2021

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Jamey Aebersold gave an illuminating demonstration this past summer on the importance of being able to skillfully play your instrument.  
He assembled students in the auditorium at University of Louisville. He then plucked one “lucky contestant/musician/newbie” to join him on stage. (The repeat campers knew what was coming and sat the back of the room). Jamey would then hand them a microphone and instruct them to sing/scat/hauler a jazz solo along with the jazz chords he would randomly play on the piano.

Guess what?

Everyone could scat. Some sang very well, others just so-so. But the consensus amongst the “singers” was that they could scat better than they could play. Hmmm. “So, the problem wasn’t in your head”, he said, “it’s in your hands”. He continued, “now go home, take lessons, practice like crazy and the jazz will be easier. You can hear the music; you just can’t execute.” (My paraphrasing)

Jamey's second reveal, a thin repertoire is symptomatic of larger issues.

​One morning he asks the musicians, “How many of you can play 50 jazz standards from memory?” I enthusiastically raised my hand. Looking around the 250+ room there were very few hands joining me.

"How many can play 25, 10, any?" (The overwhelming answer was zero.)

Jamie’s 1st conclusion, it’s hard to play freely when your head is in a book.
Jamie’s 2nd conclusion, trust yourselves to play without a book/sheet/app in front of you by starting with simple tunes like:
  • C jam blues
  • Summertime
  • Killer Joe
  • Blue bossa

​I can help you get started playing by ear. Please call me,

David
Revised September 2022
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Getting ready for fall piano lessons.

8/6/2021

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I. Dust off your instrument.
2. Watch some YouTube concerts featuring pianists playing the music you love.
3. Find your metronome.
4. Read some inspiration material about folks like yourself who have succeeded.
5. Start noodling on the piano. Review some old favorites. Explore some new music. Dream.
6. Plan practice time in your schedule to succeed.

The happiest students know what they want, why they want it. They've made time for it, and stuck with it. Come join us. 


David.

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My piano lesson bunker is ready for another year of online lessons.
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To play fast you must practice fast

5/18/2021

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Tension is the enemy of speed.
At some point you will have to practice fast to play fast. Will it be pretty? No. But it will get better. 

Try this. After mastering the piece at a slow tempo, isolate a single phrase or section and start speeding it up, pausing between repetitions to catch your breath. 

I've demonstrated this in the video below. The faster I played the D major scale, the lighter my touch became because tension is the enemy of speed.

As Jamey Aebersold pleaded one day to his jazz campers. "Don't practice everything slow!"

​
​David
revised October 2022
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Sonatina in B flat Major James Hook Planning an Interpretation

4/19/2021

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Planning an interpretation
  1. Mark the phrases and label the cadences
  2. Mark the form
  3. Explore phrasing options
  4. Select the gestures
  5. Practice the gestures

This helps the student have a clear metal representation of what to consider and then how to execute this "vision" prior to "practicing" the piece. 

Call me. 

​David
​Revised October 2022

This is the book by Anders Ericsson for the layperson on the science of "deliberate practice". This video is a teaser. 
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"The answers we seek are in the recordings"

3/17/2021

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So many piano students are seeking the "secret". The secret that sends them to the front of the line. That secret has a name. It is called "musicianship". Musicianship is made up of four principal areas of study: technique, theory, history, and aural skills. I've put forward four ideas or reasons to work in these areas. 

1. Practice piano technique with a metronome. This will help you get your internal musical clock in order. 
2. Master theory/rudiments/harmony that is appropriate to your level. You will learn how music is constructed. This is always a revelation for beginners. 
3. Read music history. Knowing the breadth of repertoire and the historical context of your style of music allows you to play with more insight. Classical students study classical history, jazz students jazz history, etc. 
4. And finally work on your ear training or aural skills. The ability to visualize the sound of music in your head is often overlooked by music students.  

These four areas of study are unfortunately thought of, by some students, as the boring bits. But they are recognized by professional musicians as the exciting bits. 

David

Below is a video of the Duke Ellington student staple, Satin doll. The video is cued for the B section or middle 8. Listen to the trombone "lick" played when the chord progression lands on F. Figure is out. It is in the key of F, starts on A. Now check out the video I've made on what to do with this lick. This is an example of aural skills in action. 

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Mussette by JS Bach, eight tips for mastering the last four measures before the Da Capo

1/11/2021

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This late elementary piece has been a hit since the day it was written. Lively and energetic, it is a thrilling piece for students to master. But there are those annoying last four measures which have devilled generations of aspirants. 


Consider the following eight points.

  1. Do you have a clear idea of how this passage sounds, what Anders Ericsson calls "a clear mental representation"?
  2. Has your teacher clearly marked the suitable fingering?
  3. Do you understand that you will need to memorize these four measures to confidently play the jumps? 
  4. Do you understand that you will need to repeat the passage hands separately dozens of times before you put the hands together?
  5. Are you practicing slowly?
  6. Are you following the agreed to or assigned fingering? Fingering is not negotiable.  
  7. Do you understand how the passage will be articulated? (The photo above is not marked up yet.) 
  8. Professional tip: Record each pass you make and listen back before repeating, an activity that I find immensely helpful. I listen carefully to my rhythm, dynamics, articulations, steadiness, and flow before my next pass. I understand want I'm trying to fix or master before repeating a passage. 

David
Revised October 2022
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Practice Tips For Piano Students

1/4/2021

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“Until it’s comfortable” Benny Greb
Practice tip #1

How many times do I need to repeat a passage?

“Until it’s comfortable” Benny Greb, expert practicer

Most students practice until they get it. Professionals practice until it’s comfortable. I buy that.

Practice tip #2

Why is proper fingering so important?

“Under pressure, a performance, one does not want to train the brain with ineffective or multiple choices of fingering in difficult passages. Under stress the brain will have to decide. It might pick the poor fingering pattern and BOOM! a mistake happens.”

So, when learning, take extra care to follow the fingering in the early stages of learning. Don’t give yourself an unnecessary handicap of poor fingering options.

​David 

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Score Study for Classical and Jazz Students

11/25/2020

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Bach - The Complete Sonatas and Partitas for Solo Violin by Arthur Grumiaux

Classical students 

1. Phrasing: Notice how the performer tapers each 2 note slur
2. Chords: Notice how the performer "strums" the chord from the bottom to top note
3. Dynamics: When the music goes up in pitch so does the intensity and vice versa. This is a very common effect in classical music performance. 
4. Dynamics part 2: Phrases which rise start softer and crescendo.

Jazz Students

1. Broken chords that ascend on a 7th chord and resolve in the opposite direction. Measure 4, beat 3
2. Enclosures in measure 2, beat 1 around the note C. Measure 5, beat 3. 
3. The use of chromatic approach notes to chord tones in a broken chord in measure 3. Mozart likes these types of figures as well. See Fantasia in D minor measure 10.

Have fun. 

David
Bach - The Complete Sonatas and Partitas for Solo Violin by Arthur Grumiaux
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Jazz Practice work out 2020 Intermediate players who want to be advanced players.

10/5/2020

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An intermediate player can play some tunes with a band or play along track. They usually have to read the music though from a fake book due to a lack of confidence. They are keen to move it up a notch. They feel overwhelmed with the amount of possibilities in a practice session. 

Below are some ideas on how to spend your time. Yes, it is a lot, but over the course of a week and little bit of each can be worked on. Over time your experience will accumulate. 

Have fun. 

  1. Listening to recordings and determining:
    1. Instrumentation
    2. Form
    3. Solo order
    4. Solo length: full chorus/half chorus or whatever
    5. Style/era: Traditional, swing, bebop, Modern, Post-modern
    6. Cool licks to learn, find at least one to learn
  2. Slow Warmup playing ii-V 1 chord progressions with scales or broken chords in the right hand with chord voicings in the left hand. Select the keys from your current repertoire.
  3. Technique
  • Sight reading: piano music, lead sheets, whatever…
  • Comping chords, if you are a beginner practice writing them out first.
  • Phrasing questions: legato, detached, swing 8ths, dynamic shaping over the phrase. With the study of phrasing in jazz I suggest listening to a “master” play the phrase and then mimic it. Same phrase, different players, different approaches. You will learn a lot of interesting things with this phrase
    4. Licks
  • Transposing a simple lick in multiple keys, see step 2 for keys
    5. Review old repertoire
    6. Repertoire work, your new pieces
    7. Theory work
    8. Singing intervals
    9. Jamming with tracks, apps, or original recordings.
    10. Repeat step one.

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Over coming my bad practice habits part 2

9/24/2020

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I had a date for the Grade 10 exam, a few months out. Whoa! Piano thoughts dominated my waking hours for the next 90 days. 

First thing I learned? Thinking about piano is a form of practice. In my mind I saw myself performing the music. My mind sought solutions to tricky parts I saw coming in the music. I was excited. 

Second thing I learned? A firm date quickly eliminated procrastination. 

Third thing? This was really exciting. As Los Angeles Clippers’ Doc Rivers said, "pressure is a privilege". This was real, this was difficult, but this was doable with focused effort and lots of practice. 

Fourth thing? I started to listen in earnest to both professional recordings of my program and myself. Record, play, listen became my method. 

I'd learned how to practice. I nailed it and won a scholarship for the highest mark in my district. 

David
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<<Previous
    You've got to learn your instrument. Then, you practice, practice, practice. And then, when you finally get up there on the bandstand, forget all that and just wail.
    Charlie Parker

    Author

    I'm a professional pianist and music educator in West Toronto Ontario. I'm also a devoted percussionist and drum teacher. 

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