There are many ways to think about our musical development. Consider the following:

Level one, student: The student learns to control their hands. i.e. the hands do what they are told. I'm told this takes about 10,000 hours. I believe it, because after 1200 hours in on my drum studies I can see the gap between my aspirations and my reality. (2023 update. I've now given 5000+ hours to the kit. I've met all my initial goals and I'm now working on a new set) This level is about technique, repertoire, ear training, theory studies, concert going, and practice, practice, practice. It is about following my teachers' directions, and maintaining and nourishing my personal curiosity, patience, and faith in this process. 

Level two, professional: Professional hands do what they are told. Now professionals practice to maintain and refine their skills.

Level three, artist: The hands have something interesting to say and the ability to do so. Artists operate at an elevated level of creativity and skill, blending effortlessly, or so it seems to the audience, their ability to wow and amaze. To my generation names like Oscar Peterson, Lang, Lang, Stevie Ray Vaughan come readily to hand.

Conclusion?

Get off the internet and go back to the practice room!

Cheers,

David Story
January 2023 update

Gary Burton, jazz musician extraordinaire and master teacher, is giving a free course online through Coursera. I've taken it. 

Gary's first point: Improvisation is a language with a vocabulary of sound. This consists of chords, scales, and licks. It requires an ability to hear these internally and then assemble them in real time. And finally, there is your ability to develop a story, with sound, on the fly. 

Gary's second point: Sounding like a jazz musician through memorizing licks is like memorizing French phrases and heading to Paris. You may sound French; however, things quickly break down when you are spoken to. 

David Story

2023 update. It was an interesting course; however, it requires a high degree of keyboard skill to get the most from it. Below are some exercises for beginners who have intermediate skills which involve broken chords, a bebop lick, and a chromatic approach. It was inspired by a Chase Sanborn story, who discovered his jazz solos improved when he left notes out. 

A tale of two adult students

Part one:

• Both students start at the same time.
  
• Student 1 practices an hour a day, 5 days a week.
  
• Student 2 practices an hour, once a week.
  
• At the end of year one Student 1 is 4 years ahead, year two 8 years ahead.
  

Part two:

• Student 1 has a vague notion of what they want to accomplish. The have a nagging notion that they should practice a lot. They feel guilty that they cannot practice more. They need a lot of hand-holding.
  
• Student 2 wants to play a few tunes and have fun. They do. They take it as it comes. They fiddle around, jamming, improvising, and occasionally getting to the homework. They are having fun.
  

Cheers,

David Story